Spanning the years 1946 to 1959, it includes rare live radio performances and an unreleased MGM rehearsal of “Gaudeamus Igitur,” while the bonus tracks section features seven restored gems from other popular operettas. As a further attraction, many of the tracks are appearing here in stereo for the first time, thanks to the process known as DES (Digitally Extracted Stereo), a technological breakthrough that brings remarkable clarity to formerly mono recordings without affecting their integrity.   ​

Update (May 9): Mario Lanza: The Definitive Student Prince is now available directly from Sepia Records for immediate delivery. Click here to order the CD. Meanwhile, for those in the US, there is also the option of purchasing the CD from the Mario Lanza Institute, with proceeds going toward scholarships for young singers in Lanza's name.

If you prefer to order this CD from Amazon or other online sellers, it will be officially released on June 26, 2026. (The release date has changed twice owing to shipping delays, but I have been assured that June 26 will stand.) 

Below are THREE video promos for the CD featuring a number of audio samples from the disc.

PROMO #1 is an overview of the CD, focusing on the selections from The Student Prince, and is available here in two versions: first as a YouTube video (with a 4K super-high quality option if you watch it at YouTube), and second as an embedded video on this site (as all or part of the video may be blocked for viewing/listening in some countries).  

The Warner Archive has just released a Blu-ray of what is apparently a 6K scan of the original 35mm print of Mario Lanza's final film, For the First Time. Visually, it's stunning, preserving its original Technirama ratio and resolution, and the (mono) sound quality is excellent. This official Blu-ray is a major improvement (especially visually) on the German Blu-ray of the film that was issued some years ago.
More than anything else, this Blu-ray reinforces the overall excellence of Lanza's singing in his screen swansong, with its well-staged operatic scenes (all filmed on the stage of the Rome Opera House) and an impressive "O Sole Mio" among the highlights.  
This Blu-ray is available now from Amazon, and will hopefully be successful enough to encourage Warners to issue more of Lanza's films in this format, with Serenade surely on the top of most fans' wishlists.  

Great news! The Warner Archive Collection will be releasing a Blu-Ray consisting of a 1080pHD master from 4K scans of the original nitrate Technicolor negatives of That Midnight Kiss. If it's as good as Warners' Blu-Ray of The Great Caruso, then we're all in for a treat. 

​The release date is August 26, 2025.

Here are the specs:

THAT MIDNIGHT KISS (1949)
–
COLOR
BD-50
Running Time: 98 Minutes
Aspect Ratio: 16×9 1.37:1 with side mattes
Audio Specs DTS-HD MA 2.0 Mono
NOT RATED
Subtitles: ENGLISH SDH
Cast: Kathryn Grayson, Mario Lanza, Jose Iturbi, Ethel Barrymore
Directed by Norman Taurog
–
SPECIAL FEATURES: SPECIAL FEATURES: Deleted Musical Outtake “ONE LOVE OF MINE”; Classic M-G-M Cartoons “HEAVENLY PUSS” (HD) and “SENOR DROOPY” (HD), and the Original Theatrical Trailer.

Read more at: https://screen-connections.com/2025/07/16/warner-archive-collection-august-2025-blu-ray-releases-the-huckleberry-hound-show-the-complete-original-series-7-women-more/  

​For more about Lanza's films (and other Blu-Rays), click here.

UPDATE (27 September 2025): This Blu-ray  is an extremely good transfer consisting of a 1080pHD from a 4K scans of the original nitrate Technicolor negatives: brilliant colour and black and white contrast. The sound is superb, and there's an excellent balance between music and voice. Here is the Amazon link.

Highly recommended. (Screenshot below)

We have just received word that the new Sepia Records Mario Lanza release Golden Days has debuted on Billboard's Traditional Classical Albums chart at #10 for the week of April 20, 2024. What an achievement for an artist who has been gone for almost 65 years!  

​Enrico Caruso, Jnr, son of the legendary tenor, once observed that, “Mario Lanza excelled in both the classical and the light popular repertory, an accomplishment that was beyond even my father’s exceptional talents.” This CD underlines that remarkable versatility, featuring some of Lanza’s finest recordings of popular English songs, operetta, Neapolitan classics, and operatic arias from the earlier monaural period of his career. But this is no ordinary Lanza compilation, for each of the 23 tracks offered here is in Digitally Extracted Stereo (DES) for the first time. Thanks to this revolutionary process, the tenor’s authentic vocals can now be appreciated as never before in astonishingly realistic-sounding multi-track stereo, with the orchestra surrounding his voice, rather than boxing it in within the same narrow monaural “cell.” 

The CD is now in stock at Sepia Records in London, and can be ordered here. (Although it's currently listed as a "Forthcoming Release," it is available now.) For those in the US, the CD is now available for pre-orders from the Mario Lanza Institute. Please click here to place your pre-order. Proceeds from Institute sales of the disc will go toward scholarships in Lanza's name for young singers. 

​Snippets of eight tracks from the CD can be heard here. There is also a discussion on the CD here, and below is a stunning promotional video by Vincent Di Placido:

​A further attraction is that ten of the mono recordings are in Digitally Extracted Stereo (DES), a process that has provided greater clarity to some of the less well-recorded material, such as the exciting 1955 film outtake of “Nessun dorma” and the 1959 “One Alone” acetate, while providing a sumptuous orchestral backing to sonically superior recordings, including the MGM “Serenade” from The Student Prince, “Because You’re Mine” with Doretta Morrow, and “You and the Night and the Music.”  Click here to listen to a teaser from the CD.

​Other highlights on the CD include a previously unreleased outtake of the haunting “Hills of Home” (beautifully sung, and superior to the released version), a superior second take of the unused original “Serenade” from the film of the same name (of which only the first take has ever been commercially released), an extended version of the “Miserere” (recorded for the soundtrack of The Great Caruso) that restores the opening with soprano Lucine Amara and the chorus, and the best reproductions I have heard of Lanza’s 1958 version of “Tu Ca Nun Chiagne” and his 1948 Hollywood Bowl performance of “Nessun dorma.”

UPDATE (30 April 2023): The CD is now in stock at Sepia Records' London headquarters. Please click here for orders. For those in the US, the CD is currently available exclusively from the Mario Lanza Institute. To order the CD from the Institute, please click here. Proceeds from purchases of the CD from the Institute will go towards scholarships in Lanza's name for young singers. From May 6 onwards, the CD will also be available for in-person purchase at the Mario Lanza Museum on 1214 Reed Street, Philadelphia. (Please phone 215-238-9691 for  information about opening hours.) 

​​They include a gorgeous “Lee Ah Loo”—as heard in Because You’re Mine, but happily without the MGM compression here—a slightly extended (and thrilling) “Cielo e Mar” from the first operatic montage in The Great Caruso, and four revelatory 1959 recordings: “Only a Rose” (duet version, but this time without the overlaid soprano), “Serenade,” “Silent Night,” and a rare reprise version of “Nocturne.” It’s fascinating to hear these late recordings in their original, untampered form, and they all confirm that RCA did Lanza no favours in its subsequent mixing.
The bulk of the CD features remastered radio transcriptions and vinyl pressings. These include excellent restorations of “Where or When” and “Testa adorata,” both of which transcend their transcription sources. (In fact, the former sounds the best I’ve heard it.) Among the restored vinyl selections are Lanza’s often-overlooked first version of “Come Dance With Me” (the RCA recording, and not the more familiar Seven Hills of Rome soundtrack rendition)—now sounding richer and more vibrant than ever—a gloriously radiant “Look for the Silver Lining,” and a beautifully reproduced “You Are My Love.”
The CD also features the best reproductions I’ve heard of the RCA version of “Marechiare,” “Dio ti giocondi” from Otello with Licia Albanese, and the Monologue that immediately follows this duet.
As always with Sepia Records’ Lanza releases, a booklet of detailed liner notes and rare photos is included.
UPDATE (July 6): Sepia Records already has this CD in stock (it's currently listed on their website as a "forthcoming release" for August 2022, but is actually available now). Click here for ordering information.
The CD will be available from Amazon and other online sellers from August 5. For purchasers in America, the Mario Lanza Institute and Museum will also be stocking this CD from July 22, with proceeds going towards the Institute’s annual scholarships. The CD can be ordered now from the Mario Lanza Institute at this link.      

I first heard about the existence of these acetates from Bill in May 2021, and I and my fellow compilers---Armando Cesari, Vince Di Placido, and Carmel Parisi---were simply over the moon when we started receiving file after digital file from Bill shortly after that. For the first time, we were able to hear, among other things, Lanza's magnificent  first recording of "My Destiny," the original (pre-edit) first take of "Beloved" from Lanza's May 1953 remake session of the song, the Finale from Marta featured in The Great Caruso in its original form---without all the coughing!---the full version of "Una furtiva lagrima" from That Midnight Kiss, "Celeste Aida" from the same film but this time with its previously discarded recitative, a longer extract of the Rigoletto Quartet recorded for The Great Caruso, a complete version of the Addio alla Madre from Because You're Mine that is superior to the take featured on the 1998 Rhino CD Mario Lanza at MGM, and many other treasures.

Major sound restoration was necessary, as many of the recordings were severely scratched, and/or suffered from extensive surface noise. Sepia Records' sound engineer, Robin Cherry, has performed miracles on many of them, but allowances still need to be made for some of the recordings. I doubt that anyone who loves Lanza will complain, though, as where else can one find a restored version of, say, the 1945 live radio broadcast of "The House on the Hill," or the 1959 "Nocturne"---with the tenor's voice now front and centre (exactly as recorded in the studio and not blighted by incompetent posthumous mixing)?

Here is the full track listing:

1 The House on the Hill  (Charles)
Live CBS radio broadcast from Liederkranz Hall, New York City, 7 November 1945.                  
2 I Know, I Know, I Know (Kaper-Russell)  [original film acetate---and it sounds glorious]
MGM Studios, Los Angeles, 1 December 1948.         
3 O Holy Night (Adam) [original acetate]
Republic Studios, Los Angeles, 29 May 1950.                                                                    
4 The Lord’s Prayer (Malotte) [with organ only] [original film acetate]
MGM Studios, 2 August 1951.                                                   
5 Deep in My Heart, Dear (from The Student Prince) (Romberg-Donnelly) [outtake]
MGM Studios, 12 August 1952. With Ann Blyth, soprano. 
6 My Destiny  (Brodszky-Cahn) [outtake--superior to the version featured in the film]
Warner Bros. Studios, Los Angeles, 7 July 1955. Jakob Gimpel, pianist.                         
7 Serenade (from the film Serenade) (Brodszky-Cahn)  [original film acetate, with previously unheard orchestral intro]    Note: This is the soft "Mexico" version of the song.
Warner Bros. Studios, 26 August 1955.       
8 Ave Maria (Bach-Gounod) [original film acetate]
MGM Studios, 11 August 1950. With Jacqueline Allen, soprano.
9 L’elisir d’amore: Una furtiva lagrima (Donizetti-Romani) [full version] 
MGM Studios, 9 December 1948. José Iturbi, pianist.                
10 Carmen: Flower Song (“La fleur que tu m’avais jetée”) (Bizet-Meilhac-Halévy) [full version; sounds better than in Toast of New Orleans]
MGM Studios, 6 December 1949. Jakob Gimpel, pianist.                                   
11 Aida: Celeste Aida (Verdi-Ghislanzoni) [full version]
MGM Studios, 9 December 1948. José Iturbi, conductor; MGM Studio Orchestra.          
12 Aida: O terra addio (Verdi-Ghislanzoni) [original film acetate; glorious!]
MGM Studios, 18 August 1950. With Dorothy Kirsten, soprano, and Blanche Thebom, mezzo-soprano. 
13 Rigoletto: È  il sol dell’anima (Verdi-Piave) [rehearsal]
MGM Studios, 28 August 1950. With Jarmila Novotná, soprano. 
14 Rigoletto: È  il sol dell’anima (Verdi-Piave) [outtake]
See #13 for recording details.  
15 Rigoletto: Addio! Addio! (Verdi-Piave)  [original film acetate]                    
MGM Studios, 24 November 1951. With Peggy Bonini, soprano.  
16 Rigoletto: La donna è mobile (Verdi-Piave) [live performance]
Performed at Massey Hall, Toronto, 5 March 1948.                         
17 Rigoletto: Quartet (“Bella figlia dell’amore”) (Verdi-Piave) [New extended version]
MGM Studios, 22 August 1950. With Giuseppe Valdengo, baritone; B. Thebom; Olive May Beach, soprano.       
18 Lucia di Lammermoor: Sextet (“Chi mi frena in tal momento?”) (Donizetti-Cammarano) [film acetate with a somewhat different mix from what we hear in the movie; Mario's voice is more forward]
MGM Studios, 23 August 1950. With D. Kirsten; G. Valdengo; B. Thebom; Nicola Moscona, bass; Gilbert Russell, tenor. 
19 Marta: Finale (von Flotow-Riese) [original film acetate]
MGM Studios, 22 August 1950. With D. Kirsten, N. Moscona, and B. Thebom. 
20 La bohème: Che gelida manina   (Puccini-Giacosa-Illica) [original film acetate]
MGM Studios, 29 August 1950. P.H. Adler, conductor; MGM Studio Orchestra.      
21 Cavalleria rusticana: Addio alla Madre (Mascagni, Targioni-Tozzetti, Menasci) [New extended version]
MGM Studios, 10 November 1951. With Katherine Hilgenberg, contralto; and P. Bonini. John Green, conductor; MGM Studio Orchestra.
22 Il trovatore: Di quella pira  (Verdi-Cammarano) [original film acetate]
Warner Bros. Studios, 13 July 1955.  Ray Heindorf, conductor; Warner Bros. Studio Orchestra.              
BONUS TRACKS                                       
23 Ave Maria (Schubert) [original film acetate; superior sound to previous reproductions]
Warner Bros. Studios, 18 August 1955. Jakob Gimpel, pianist.
24 Pour un Baiser  (Tosti-Doncieux) 
Cinecittà Studios, Rome, June 1959.                                                                             
25 Love Me Tonight  (from The Vagabond King) (Friml-Hooker-Post) [original "raw" acetate]
Cinecittà Studios, July 1959.  C. Callinicos, conductor; RCA Italiana Orchestra.   
26 Nocturne (from The Vagabond King) (Friml-Hooker-Post) [original "raw" acetate]
Cinecittà Studios, July 1959. C. Callinicos, conductor; RCA Italiana Orchestra.    
27 Beloved  [the unedited first take from the May 1953 remake session]
MGM Studios, 20 May 1953. C. Callinicos, conductor; MGM Studio Orchestra.
28 La Danza (Rossini)   [original film acetate]       
MGM Studios, 7 August 1950. Irving Aaronson, pianist.               

I should add that the CD booklet is stunningly presented, and includes comprehensive notes and rare photos.

UPDATE (23 March): This CD is now in stock at Sepia Records in London and can be ordered here. The price, including postage, is £7.99 for the UK; £9.99 for those elsewhere in Europe; and £10.99 (= US$14.60) for the rest of the world. 
For those in the US only, the CD is now in stock at the Mario Lanza Museum in Philadelphia. Bill Ronayne, President of the Mario Lanza Institute, writes: "The CD is $12 + $5 Shipping & Handling. Checks should be made out to Mario Lanza Institute and sent to Mario Lanza Institute 1214 Reed Street Philadelphia, PA 19147. For credit card orders, more information or if you're ordering more than one CD, call 215-238-9691."
It is also currently available for pre-order from Amazon, with a scheduled release date of April 1. 

Vincent Di Placido has created a beautiful promotional video for this CD (see below).