• Home
  • Biography
    • A Radical Reassessment
    • The Biography Mario Lanza: An American Tragedy
    • Mario Lanza: a Speech
    • A Fatal Zest for Living
    • Lanza and the Press>
      • Concerts and Operatic Performances
      • Movies
      • Albums
      • Feature Articles
    • Mario Lanza: A Biographical Timeline
    • A Lanza Scrapbook>
      • A Lanza Scrapbook, page two
      • A Lanza Scrapbook, page three
  • Forum: Mario Lanza, Tenor
  • Discography
    • Operatic Recordings
    • Italian and Neapolitan Song Recordings
    • English Recordings>
      • English Recordings, page 2
      • English Recordings, page 3
    • Latin, French, Spanish Recordings
    • Mario! Lyrics and English Translations
    • Caruso Favorites: Lyrics and English Translations
  • Essays
    • Films >
      • Films of Mario Lanza
      • Serenade: an Underrated Treasure>
        • Serenade: an Underrated Treasure, page 2
        • Serenade: an Underrated Treasure, page 3
        • Serenade: an Underrated Treasure, page 4
      • Confounding the Enemy>
        • Confounding the Enemy, page 2
      • For the First Time: Lanza's Sweet Little Swansong>
        • For the First Time: Lanza's Sweet Little Swansong, page 2
        • For the First Time: Lanza's Sweet Little Swansong, page 3
        • For the First Time: Lanza's Sweet Little Swansong, page 4
    • The Artist>
      • Myths About the Artist
      • Firsthand Accounts of Working with Lanza: Herbert Grossman
      • Firsthand Accounts of Working with Lanza: Gloria Boh
      • Quotes from Opera Singers
      • Rebuttal>
        • Rebuttal, page two
        • Rebuttal, page three
      • Mario Lanza and the Magic of Phrasing
      • Vocal Placement
      • The Magic of Mario>
        • The Magic of Mario, page 2
      • The Lanza Legacy>
        • The Lanza Legacy, Page 2
    • The Man>
      • Myths About the Man
      • October 7
      • Kulpok
    • About Lanza's Recordings>
      • Mario Lanza: The Final Years>
        • Mario Lanza: the Final Years, page 2
        • Mario Lanza: The Final Years, page 3
      • Lovin' Mario on His Birthday
      • Musings on Mario!
      • Musings on Caruso Favorites
      • Somebody Bigger Than You and I
      • If I Loved You
      • The Tina-Lina
      • Some Day
      • Romance
    • Mario Lanza and Me>
      • Voice in the Night
      • Lanza the Spark
      • Mario Lanza: the Man and the Myth
      • On First Hearing Mario Lanza
  • Photos
    • Family
    • Films>
      • That Midnight Kiss & The Toast of New Orleans
      • The Great Caruso
      • Because You're Mine & Serenade
      • Seven Hills of Rome & For the First Time
    • Operatic & Concert Performances
    • With Friends & Colleagues
    • Miscellaneous
  • Multimedia
    • Video: Television Appearances
    • Audio: Concert Performances & Private Recordings
    • Audio: Interviews
    • List of Existing Live Recordings
    • Rate This Recording
    • Name your Favorite Lanza Movie
  • About Us

Existing Live Recordings of Mario Lanza
by Derek McGovern

Picture
Between 1942 and 1951, Lanza gave more than 130 concerts and recitals throughout the USA (including Hawaii), and in Canada and Mexico. During this period, he also sang two operatic roles, appearing twice as Fenton in Nicolai’s The Merry Wives of Windsor at the Berkshire Music Festival in Tanglewood in August 1942, and twice as Pinkerton in Puccini’s Madama Butterfly at the New Orleans Opera in April 1948. In addition, he appeared as Rodolfo in two specially staged performances of Act III of Puccini’s La Bohème at Tanglewood in August 1942.
Picture
  • Listen to Parigi O Cara, and Lamento di Federico

  • Watch videos of live performances
  • Between July 1947 and May 1948, Lanza sang 86 concerts with soprano Frances Yeend and bass-baritone George London as part of the Bel Canto Trio. Sadly, there are no known recordings of the Trio’s performances—or, for that matter, of any of Mario’s operatic appearances. Lanza was, however, recorded in concert with Yeend at the Hollywood Bowl in 1947, as well as on a live radio broadcast in 1945. There also exists a recording of the Bel Canto Trio together performing an audition for NBC chief David Sarnoff in 1948; this is an extract from Act IV of La Bohème, and was sung in English in anticipation of an Opera in English series on NBC-TV.

    After 1951, Lanza’s live performances were much less frequent. He sang live on one television show in the USA (Shower of Stars, CBS, 1954), performed twice at the London Palladium in 1957—including one Royal Command Performance for Queen Elizabeth II—and undertook a 22-concert tour between January and April, 1958, of England, Scotland, Ireland, France, Belgium, The Netherlands, and Germany. He also appeared on the London ATV Show Saturday Spectacular in January 1958, singing three songs from his recital program. (Some of these performances can be viewed or listened to here and here.)
    Incredibly, the only occasions on which Lanza's live appearances were recorded were a number of radio shows in the 1940s, his television appearances in the 1950s, three Hollywood Bowl performances, the first half of a 1948 concert in Toronto, and one of his two recitals at the Royal Albert Hall in 1958. Details of these performances are shown below; all are audio recordings unless otherwise stated—--Derek McGovern.
    Picture
    Please note: I have only included details of those radio shows on which Lanza—to the best of my knowledge—is singing in front of a live audience (e.g., the Edgar Bergen Show) and/or performed as a live broadcast (e.g., Great Moments in Music).            


    Google Groups
    Visit Mario Lanza, Tenor on Google Groups